Writing and Criticism


Garden of Forking Paths: Yui Kiyohara’s Remembering Every Night | Film Comment

I Was Born (In Hawaiʻi), But… | Screen Slate

Live Again: On Shinji Somai | Film Comment

Infinity According to Florian | Screen Slate

No Man Is an Island: Albert Serra’s Pacifiction | Film Comment

Yamabuki | Screen Slate

Sundance 2023: From a Distance | Film Comment

Watching the Watchers: Joële Walinga’s Self-Portrait | Cinema Scope

Nails for an Invisible City: On Invisibility, Disability, and Design | Design Museum Everywhere

James Baldwin Abroad | Screen Slate


And Then | Screen Slate

Documentary’s Original Sin: A conversation with Max Carpenter on Noriaki Tsuchimoto | Screen Slate

Lists and the Documentary Canon | Film Comment Podcast

Sage Advice: Edward Yang’s A Confucian Confusion | Film Comment

Taking the Horse to Eat Jalebis | Screen Slate

Film Comment Recommends: The Kalampag Tracking Agency | Film Comment

Perpetuum Mobile | Screen Slate

Shared Stories: Alice Diop’s We | Film Comment

The Ondekoza | Screen Slate

Come Here & Train Again | Screen Slate

I’ll Be Your Mirror: Disability in Ryusuke Hamaguchi’s Films | MUBI

Sharper Than Glass: Fern Silva on Rock Bottom Riser | Screen Slate

My Crasy Life & Some Divine Wind | Screen Slate

Sundance 2022: Every Day in Kaimukī | HIFILM


Shared Resources | Screen Slate

How CODA and Sound of Metal Misrepresent Deaf Culture | Hyperallergic

Remains to Be Seen: The Video Work of Forensic Architecture | MUBI

Untamagiru | Screen Slate

The Blindness Series | Sentient.Art.Film.

Compensation | Screen Slate


76 Days | Screen Slate


Circular Breathing: on Christopher Makoto Yogi’s August at Akiko’s | Honolulu Museum of Art


In response to Jonathan Rosenbaum re: A Touch of Sin | unpublished